I’m a big fan of Toshiro Mifune in Akira Kurosawa movies. This clip from the movie Red Sun, while enjoyable, just doesn’t get close to the charisma of Mifune in The Seven Samurai, Yojimbo and Rashoman. What is it about him? I think it’s that he intimidates you and he laughs at you at the same time. Anyone seen this movie?
Archive for the ‘Film’ Category
This is a really fabulous trailer. Piques your interest but doesn’t give too much away.
While times have definitely improved for women workers since Nine to Five came out, I’m always bemused by the fact that administrative assistants don’t work 9 to 5 anymore. They don’t get paid for their lunch hour, so they work 8 to 5. So I supposes admins can in some way look back to the fond days where they got an extra hour’s sleep.
I managed to catch this film in Sacramento while I was visiting. It’s really fantastic. It walks a fine line between depicting Orson Welles as an asshole and a genius. That’s not easy. I also thought Zac Efron was adorable. I can see why all the tweens love him.
The best performance hands down is Christian McKay’s fantastic non-impression of Welles. It’s as accurate as an impression but it’s so full of life and sincerity. There’s no hint of caricature here. James Tupper’s Joseph Cotton wasn’t bad either.
Probably my only disappointment came during the closing credits when I found out it was based on a novel. It seemed so real, I was hoping it was an autobiographical piece.
Don’t see it. Sorry, I hated it and I probably should have never gone. It’s extremely depressing in a colonial sort of way, and the feel-good ending doesn’t really change that. I would include details but I don’t want to depress anyone who liked the film. If you care to comment though, I will respond.
Now on to what I really liked. Michelle Rodriquez kicked ass. Now don’t get me wrong it’s a stupid part. All she does is look sexy, deliver cheesy Cameron one-liners, and do the action star thing, but she does it so well. In fact, she does it like a man. She is every bit of the action start that Sylvester Stallone, Arnold Schwartzenagger, and Bruce Willis are. I’d love to see her in a James Bond style movie where she toys with men. I think with Rodriquez we actually would enjoy that very similar to Linda Fiorentino in The Last Seduction. Or maybe a Rambo0-type movie. One thing about the eighties action stars is that they talked very little. You didn’t see too many heart-wrenching scenes. There wasn’t a lot going on upstairs and it didn’t matter. They did their thing. I think someone needs to give Michelle Rodriquez the chance to do it.
Looking for a scary monster movie? I saw The Host several years ago when it came out. It’s tough to make a monster movie without having some funny moments. This movie certainly has them. What I really liked about it was first it’s not-too-subtle knocks at America. The movie uses as its catalyst a real event. From Cineaste:
While the film tells the story of a fictional disaster (thus making his critique less explicit), Bong intended to make references to real-life events. Bong was inspired by an incident that took place in 2000, when a U.S. military employee ordered 480 bottles of formaldehyde to be dumped into the Han River (the man was arrested, given a suspended sentence, and is now back at his original job). Moreover, the media and government mania stirred by the virus in The Host, which proves to be nonexistent, is meant to reference the Iraq WMD fiasco. And the U.S. military’s indiscriminate use of a mysterious toxic chemical called Agent Yellow alludes to the use of Agent Orange in Vietnam.
You might want to click on the above link if you’ve seen the movie. It’s a good interview.
I also liked how the heroes of this movie are members of not-too-savy family. So often we see films with ordinary people becoming extraordinary when called to duty. But what if it was my family being chased by a monster from the Han river? How would we cope? Much in the same way as the characters do in this film.
I saw this video on the Slog. Harry Connick Jr. is a judge on the Australian Gong Show when the act that appears is in blackface. What does he do? If you can’t stand to watch the whole video, Harry’s commentary is first on 2:15 and then 5:25.
I remember watching a DVD commentary by Mira Nair for the film Monsoon Wedding. Nair was talking about how in some Bollywood films, blackface still makes an appearance.
Probably the most interesting commentary on blackface can be found in Spike Lee’s Bamboozled which I liked a lot. Here’s a trailer for the film.